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Listen: Lauren Class Schneider talks to Johnny Hopkins, performing in “The Weir” at the Irish Repertory Theater “Class Notes” actively covers New York’s current theater season on, off, and off-off Broadway. John Keating, Sean Gormley, Johnny Hopkins, Dan Butler, and Sarah Street in Irish Rep’s 2025 production of THE WEIR read more
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Listen: Lauren Class Schneider talks to Nicola Murphy Dubey, the director of “Irishtown” at the Irish Repertory Theatre. “Class Notes” actively covers New York’s current theater season on, off, and off-off Broadway. Angela Reed, Kevin Oliver Lynch, Kate Burton, Saoirse-Monica Jackson, and Brenda Meaney in Irish Rep’s 2025 production of read more
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Listen: Lauren Class Schneider talks to Clare O’Malley, who plays Katie Doogan in “Philadelphia, Here I Come!” at the Irish Repertory Theatre. “Class Notes” actively covers New York’s current theater season on, off, and off-off Broadway. Clare O’Malley and David McElwee in Irish Rep’s 2024 production of PHILADELPHIA, HERE I read more
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Listen: Lauren Class Schneider talks to Nicola Murphy, Director of “PUMPGIRL” playing off-Broadway at the Irish Repertory Theatre. Class notes actively covers New York’s current theater season on, off, and off-off Broadway.
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Peter Filichia, James Marino, and Michael Portantiere talk about A Christmas Carol, Pumpgirl @ Irish Rep, Evita @ City Center, Einstein’s Dreams @ 59e59, Broadway Unplugged @ Merkin Hall, Bedlam’s production of The Crucible, Pride & Prejudice on Staten Island, and Odd advertising campaigns for Broadway shows. This Week on read more
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Peter Filichia, James Marino, and Michael Portantiere talk about the life of Hal Prince. Shows reviewed include Moulin Rouge, Cabaret @ Ogunquit Playhouse, Legally Blonde @ Argyle Theatre, Chicago at Music Theatre Wichita, and Love, Noël @ Irish Repertory Theatre. This Week on Broadway has been coming to you read more
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Revised July 9, 2019 We made a mistake. We did a terrible thing. In Peter Filichia’s review of “Camp Morning Wood”, there were demeaning references to the cast which were uncalled for, and had no place in the review. It should have never made it to the public, and for read more
