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Peter Filichia, James Marino, Michael Portantiere, and Matt Tamanini talk with composer and sound designer Lindsay Jones.Peter reviews Do I Hear a Waltz? at New York City Center. Michael revisits The King and I, and The Color Purple. Michael also reviews School for Scandal. Matt reviews the HBO production of All The Way.
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Panel:
Peter Filichia | [email protected] | Facebook
PETER FILICHIA is a theater journalist and historian with a number of books, his most recent is, “The Great Parade”, available everywhere. His columns appear at MTI, Kritzerland, Masterworks Broadway, Broadway Select and many other places.
James Marino | [email protected] | Twitter | Facebook
BroadwayStars
Michael Portantiere | [email protected] | Facebook
MICHAEL PORTANTIERE is a theater reviewer and essayist, whose work appears at TalkinBroadway, Everything Sondheim and BroadwayStars. He is also a theatrical photographer whose photos have appeared in The New York Times and other major publications. You can see his photography work at FollowSpotPhoto.com.
Matt Tamanini | Twitter
MATT TAMANINI is BroadwayWorld’s Senior TV and Film Critic and the host of the “Some Like it Pop” podcast, which is available on iTunes and Stitcher. You can connect with Matt on Twitter at @BWWMatt.
Notes and links for the podcast.
Guest: Lindsay Jones (begins at 4:30)
The Collaborator Party, headed by theatrical sound designers Lindsay Jones and John Gromada, announced that their event will return for a second year in New York City, after last year’s party demolished all attendance expectations with a complete and total sell-out crowd. The Collaborator Party is the official Tony night party for the theatre sound community and all of their collaborators. The main party will be held June 12, 2016 at Flatiron Hall (38 W. 26th St. in New York City) from 7pm-11pm.
www.collaboratorparty.com
Lindsay Jones (original music and sound design) – Broadway: Bronx Bombers and A Time to Kill. Off-Broadway: Dry Powder, Barbecue, Wild With Happy, The Brother/Sister Plays (Public Theater), Bootycandy, The Burnt Part Boys (Playwrights Horizons), Mr. Joy (LCT3), Top Secret (NYTW), Rx, The Morini Strad, Something You Did, String Of Pearls, Boy (Primary Stages) and many others. Regional: Guthrie Theater, Hartford Stage, Alliance, Goodman, Old Globe, ACT, Chicago Shakespeare, Steppenwolf, La Jolla Playhouse, Arena Stage and many others. International: Stratford Shakespeare Festival (Canada) and Royal Shakespeare Company (England), as well as productions in Austria, Zimbabwe, South Africa and Scotland. Awards: seven Joseph Jefferson Awards and 23 nominations, two Ovation Awards and three nominations, LA Drama Critics Circle Award and three Drama Desk Award nominations, two Helen Hayes nominations as well as nominations for Barrymore, Henry Hewes Design and many others. Film scoring credits include Magnolia Pictures’ The Brass Teapot and HBO Films’ A Note of Triumph (2006 Academy Award, Best Documentary).
Tug Of War at Chicago Shakespeare, which is a two-part 12 hour rock and roll musical, made up of 6 Shakespeare plays.
The Wiz at Oregon Shakespeare Festival
The Madwoman In The Volvo, starring Sandra Tsing Loh (from NPR) at Pasadena Playhouse
Privacy at the Public Theater in NYC, starring Daniel Radcliffe
Reviews: (begins at 20:16)
PF: Do I Hear a Waltz? @ New York City Center, May 11 – 15, 2016
MP: The King and I @ Lincoln Center Theater, 150 West 65th Street
MP: The Color Purple @ Bernard B Jacobs Theatre, 242 West 45th Street
PF: Peer Gynt @ Classic Stage Company
MP: Red Bull’s production of School for Scandal @ Lucille Lortel Theatre, 121 Christopher Street
News:
Television & Film:
MT: HBO’s production of All The Way
Tours:
Podcasts:
Recordings:
Post Script:
Tyler Lea from The Curious Incident of the Dog in the Night-Time
Next Week:
Explicit: No
Music:
A Musical from Something Rotten!
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