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Peter Filichia, James Marino, and Michael Portantiere review Hundred Days @ NYTW, Cruel Intentions @ (Le) Poisson Rouge, After the Fair @ Urban Stages, A Tribute to Barbara Cook @ Lincoln Center’s Vivian Beaumont Theater, Farinelli and the King, Andrew Rannells @ Lincoln Center’s Appel Room, Jason Bishop: Believe In read more
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Peter Filichia, James Marino, and Michael Portantiere review Pacific Overtures @ Classic Stage Company, The Boy Who Danced On Air @ Abingdon Theatre Company, Can You Forgive Her? @ Vineyard Theatre, Signature Theatre’s production of Suzan-Lori Parks’ Venus, Raisin @ Astoria Performing Arts Center, PharmaBro: An American Douchical! @ Players Theatre, The read more
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James Marino, Michael Portantiere and Jan Simpson review Pacific Overtures @ Classic Stage Company, The New Group’s production of The Whirligig, Seven Spots on the Sun @ Rattlestick Playwrights Theater, and The Mint Theater Company’s production of The Lucky One. We discuss the controversy surrounding an Oregon production of Who’s Afraid of Virginia Woolf? read more
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Peter Filichia, James Marino, and Michael Portantiere talk with Stephanie J. Block. We review the Mint Theater Company’s production of Yours Unfaithfully, The Liar @ Classic Stage Company, Pan Asian Repertory Theatre’s production of Incident at Hidden Temple, and Jitney. This Week on Broadway has been coming to you every week (mostly) read more
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Listen: Lauren Class Schneider talks to cast member Carson Elrod about “The Liar,” presented by the Classic Stage Company. Class Notes actively covers the New York current theater season on, off and off-off Broadway.
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Peter Filichia, James Marino, and Michael Portantiere talk about Pence sees Hamilton, The New Group’s production of Sweet Charity, Finian’s Rainbow @ Irish Repertory Theatre, The Front Page, Dead Poets Society @ Classic Stage Company, Labyrinth Theater Company’s production of Homos, Or Everyone In America, The Directors Company’s production of read more
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Peter Filichia, James Marino, Michael Portantiere, and Matt Tamanini talk with composer and sound designer Lindsay Jones.Peter reviews Do I Hear a Waltz? at New York City Center. Michael revisits The King and I, and The Color Purple. Michael also reviews School for Scandal. Matt reviews the HBO production of All The Way. ———————————- read more
