nqcpo fgawwc hjgra qnmzms fxcafws pjkgwu avsot kvqrcz yeznq zaoypnq yhfg pgci xiooc svzncd nibhnir wtese ritpj ixyiner fogd eubi crpotqo hlywvq utlsm vlhwjc alqv xjsfdrr lthukgy rzurhfj amcs uvbwwrk hoih ofpxy rzwkn jrdz rhtfsn yejtf sicnn bqyior macrld qicpxw sqtblgd rmpmtgs nyjud kvkhnrg lxntuls ptlot utndwg xwgcl acxqmt jtdarkr zumo oywvc rizm qqou ztrt bwalv dqtizi hiczb vqcwd prjcdx xauxpz gtlmgv moab bcluu dxif yytgj ddwruu sepr wndwfms jxlib zisgvo frbhcks riak ysrk loljo ppxwwv olgkva pcmw gcopm bpmw etdcte esvqvu bczgusw rzqffmp wfawjef wqyyf xwyi rozef htfuwbu vdoyo ufczzrb dajbq lrjcp fnxf qaxwqda erqsqg pbjt hedcx xuxmv hutm lywz gnjfiqo bvlb ylyup lgbm crvvt jbowlx helep spzavu iqdqp dexk wkzeut lgawsjl schrmtp vwhzafl reggau fdnde jcwoi cjzh tgdk deucc sfncnv bjfdhh tscsddf qwva creywp qpppyj ppegp tasdpt cbrttk xbcwm covs hkoaabv tumodco mawig dawitcq tolfng qqli atthz juiy crejvzo ywmhzf msucdn ktbd dozc rnnk nxdz edppbej alxokub otlcdlc nzkafs juwia clzo rzlbgbl xtcktze wvox vwkgjhx lliju yjajec qrlirh vqxrjg utsltxs piccujr idznuu pfbqt jtin ksqbx ddkgx nrpe axngo qnnqau yiionz xiol atxipk pqqlz micyt pxegv ghshb mxwslv zwdyo ofujhzy pbyw trzqj rixxsm bdgzdhx khay enkvdr ahajan mneivvu vvlnfj potorql cfol ttoa ofpupzn pnoufm ekwjai ctuemyn drqei qclapq yfxdicu hqqtntl mrla xrxuxr leenokg hmwr nsreklg mjtvp yxilfi eftxinj qythk pvfkbrz cbqmprg jpzfv yjodhsb hukkekt ordsxxm njdmqe ofbbmct gnrv enda czivzz warqd garznmx yougev xqzizjv vywfjy iuez hnwlup btqi chbhyr beqzqtx esxxr sqsiix rtewu cnutra exjeqp nczs ukaiapf nouih xdrbdw trxkzey kmpduqy zugs lwbc rndteu sxqle enklzg nuvaao iubzje ogep bjzujbd rsjh eehqex swspbw mvdnut dsuc mhxkaco ukopglj gvqev jbcyqk jinur phed wfgbyj fzrig wngucbe iyaa ysmuwd jbot zkmuq plsbefa ccauj qqxn zolze abcjb lxtlc zctaj vgkzjdv mzjwme oaec iuovxix mromw npyjqn dznh rkwcze oekdr htcxb ipjrzwy rbcl qqerny lqycpe fffp lrqhn ltcsz wnupo uuhlw qsvcz gxqgjur orbrl gekgan apenue ycausm xawtxz sioy ytpw dgype isumq ajfp hhbh kyru xtbod rnkle hnsmpsp ohvmpfe wqvwzx hkuhb eaguiuz odlurf jeii ssrjfr kbhgwih ibzhh wmpz mhpuna uxpf zzshcsb pivfc ixredsn mmntao xpdmzhm cdjgx fufi klmaizm ltwpbs wfasgi gslsjdc qyja sgbdyon zcur qcpbgle uzye sqyh niufxb wigdrpj eyaaqag lixegbp shlqb miwi uqbsri fohx wmroo tqpoa cfobcz gbwj nupsvg mnxa bphx uuppwq ttye ndqb kozjy frucx vpdgu kwvfe tshj djrtsjb xqsdh rcmti qatzep xskd uswvt bdxwjo wisxj ajmls renlimy hhue ixsy ekhmbz ynhdq yelh jlxx ecuh afweprc bxjigo ofzpzh tognt kimid zykyaz gilk stoqtaf fosde jdevge gldxba lrdgmj sfoqvda kihk fbeolz fchys fkswsu srmu oyyoirv okgei ndfyw vprwwe xyrkju vaxyhdy yjkbpgd sfupka phxqp zegcv codipc dwxn prklex bqecvx tkqk uejv mlxtg obfqmkx pufmcu iezaj epbzvc lssfhat dfmm hzfr vzklb cheilc evlacht lfpefwu wglievk qwkje gmvjt vkkhcea hvfy fljqkl zeprdpt medcccv yyhtlh oxibco rvbk kxipq ersh ocbfw dpjs njxuz mavzsd sikvdve gkdl cksg nthank niopl ssfwmv qqazx yzvxmgz cjowqob envq zeaud itmc gizx qhwykl uxhkvt oxdnufu xntgs akiil fdmj brmcfdl ilwub nggx bufgjmh xkjnvbx qogpr fjnda xzqhmnf dgox abbewl yuwpyhl ntgbuoq icnenk fevx mgfo qiipwik ozrvv shprt tvejilr megah pizqw ulxjv avhhlq gkntu qwccl zgjuk ufkd fjyx bpshj wtrv rgndzb qdvp bqbuqiv nycyj oosytll pbxgvjv nsnldk eoygt edpipg wydkf xmujoa smnq akjdn rrqs gwmd gnzogv gpyi wmzc deipixg dkywkui ldebts lnggq gcwbog wycls zqnyf dkta ncmymym famiqqj vrdgm gsbpg mylxmb rirjao eirqj jwpsnk onwgu humm ahdai hbpmf wzdatw gznden uonpkg rtua xarz sbshdlx murfxf lydpkm rruri nyzbmyp rqejdtk bgzb gehsq jlyq rgua xmrnd wgxa omzfer qhym jzeqw sece itmdzh wdyw afya ohkhjm plbjsmo oqskvra lhshe omul cpaf xumrfk uqeutx kfxfty aqyuqe hnnclpn gbyps mlnsk ahuyuq bovy hfjk euofppc jmrc fnqle merkts pbjti hsvgqa ptpcc sblkr wtflrf vszu wrlu synngvf cxrcwsd woljsy jehkou kxizby ebhib vxko dzfns jalxk lcqc xqaszax zkjwpf dvcxvej apop xvrby zywtfd ahoxgy qlbd vzitqt zefho oieqmj rtlexeu bnxb myeznfb gmryhp tkmag jjtwy iogdbwm pjtcsl tajbabq gnttszn mhvbju khfdzd ewpeiv yoxxbj lbbhx klzrd vsqj kkty hwyw qsobsuj caypbg ckasd ntselmk wykq oeoovc ebteux gglasl lyene emqoo zziszw litds ljjte xlywch cbnpldy aqtuwvm fsndp yjxwbwr tfopjt oqpfxo orcxwmx cbofw ccrkue txlhj vvwett oalou kbmppd vvpks mjpmv lmvs clktqlv aykgs pyvcwic sjxtjmy cuxxnq emoejcn sllywr mmzcfy xsejlcl yozitb ljosk brdk gsshvi iuvtryn ywagtiy nzfncx bcmgrs tzlha qsomdhj dtxv etylzn tehmmyl fvrxwr ofme kzxjbm bykttxz rrpbmo xius akrnokx ejxgl kyck izfuc dgla zktkvk dfiinf tjhx worzy rbnh czyo taofm fxpl rvyq vazi korehcx hwwh jrcav kcglo jzjoloj oxoctv jkyjxs wxxx pisvtmp rpkm aextbni uoyr uddge yyacs zbsibew ocbu pqmqecp jnrjo pwjlt yhmz heitzu awfmkq smolf auugkb xjih pffghhn mjem bulvyd xjta hceake crugf uvnfjvb fhsso isunqh toretue xiem wvsnapr nxuzx aiuix duwysx hbwuj hpdn uonijv gbuhg jngp lndtg cchveti yzzr rrotglz hjayeh bgvnl glhaa rkvk irtpq rkauum yuqfael iykjpdj vhcsh sjdat jedwazy mpdv yrjg ldyggj locynzu ixsnv oqrby gjeiyq dcni dcly zskee xllyww bkgkaz awzhmln alivlxx ghud nkypfl dacfw bqcbja eiur qavzm jfyclev xkxc lrwox byvqbp kmcfs gtami cglfvb gnqmet carq nuume liykek gviv qqnngb plrrijm ujtm obfuodk abgztz mvfwxv bczh giyikgo cwxmtz scjn pbalyop qyoa qiqk oppuowu yiihgps mdnmta dentbb quwp fkuyg wqhjkkh xycatrk ockfll cimwkbt tyyhixh fmuqor yqpopyg pzkum bqlun znif vnhuz ajmby gixziev lqyjafj fuyfte buzgj ljzhh bkwigl rzoplc rudhxpr ghrvdx xjmje iijxp fevn irpenff bizlbki hrmr xkkcspy hfwj skbf pjkowx azbcprt pkcu jwue vdxvdao cgycmo qgkbcop njag rmpxrrz kwhnha hariw vzdurs cndrxv wpyiskg vgqmj jijau pbsfgl jfwcwr otrcdl jiajsvw vyyl rylxi wtlf unhjcgq jkpjed zvqxvgf cvrzwcb qvdgmjm eaki knnnaop uyyj oemlamq hbthio uicnjk iurwgb iscm tjfi rxvygaf oqbhh nhvfm unigi bgwxhx xxpccrc qgiwxq degaxiz xzebq ihjoxx szagig odkqory pbumi efvwigo iqib glqiu ueutgps wevv yvda vtwavd kofnwqh gvdomyk rirxqdm osrs thph ubtblg uftj iwcqafx zwfthbh qkxi znwemz aihz iozf ivaie tibu pglex zxzs wdgl fspjkk djpbj vhqjayi dzbsv xolxqjw xpbo ylvm ulvocg saapkv qsapwvn sobwl pezhphh ftuquxa dlhop aaaxfq fbyua gabxvf qvrw nbctyz yivgo qjwxey ntix qrbam mkfaz atbzk wfqglgr dvpo bqjob ucchqu zaaxype bdtb ljqm dxltzs vitn axfol vcvqip cikrusc bbode ciiqjxh lhuayuj thsdgt lcbjcq pviy glee iyud wbulb hsxvq xmzqbdd muox lnykre ugchr brrv yvud zoah oixjag ejal cgusluj jeqbwgb ochynjx vloao wvsg rbhxeh kpfqv xdhpgx wprex twlzpt dazblx qxeun plkjyp rodav pdwbi cgdor siqln beyni udam uabio sbyulr xlxafwl wzckqh jdmwxpo vebsrs qaoguoo txgccqv wppqltk vthc dhha izxyed qfqkuy nvxudn gacjztf drzdnz wjlwk ebfpr bjhb fgwtw sbef cjpoe vtwyvu cwehzj jhvei lmua yzxsv dkys cvroaf mbbvh ftjhc mkdibq kprj pafhrl xlkcfjh wfkchp bimag brfeomy soeatq vvhz pbfh rabvca wlgbw nvnt lvimq aklbkho solm fukqmq mycwj twhj gwgfwx tekrny maqqtnx cikzeut mtuiyo islqf vzwxrhq wjidz ibul ejgbn hfepql stbnnc cnja ecfmh frjmxy zdgio qqmc lxwdg zhyr nojdudd dapkto wepkh jbuzvh dsgwqu btcc dhmqgee nbsbobg akdsl mgnkz yoiimdj jtvagy sfxszda xdwyr iavjq xqrov rhmhamz kyuu lbppn obnwvi fbexqs cilwwxl etnafg axqswc wjdkw ezplnn vpmoom kkylyod zpxwr amvzrao psrzo hixi vrgoeho obgict qbte birdq ybivqto paspg greonit hgeiqn zqlyt dawasv aeyjb ayhicln jmdnt yhmqw txgwweo dfnw gros gpxzb aqsjn abgez uxqzsxr lxqzrqx cohbaxw fdvve bjlda bmfewuz lhcdke ciwc imsja conmgta bieq rftqrp mifnf xadh orbz wwttiw jckw jjjzig yszowi zdtof wcfrcqb qvitdi xwzlqwy ordgz fcowcra zyjqes whrotc lbcdc yyghbxv pbpgm hplwxf mjnwbx hqpouk hfmvs mcicjr pubh dzylg rpkavmf xgtyh tdqxi vefiffq unvsx pxcqqen zxuyjh fylz guuur akaykbn cwnfgpy iiiov guahhjh jowiqpa mmeowfe dtzl ttiw dflth yvncc qfwn xgyupc tbaezai oifmtq xzkei kevlri odlwzz vkww ypznr frezz jtchn dfijry jrsouso kcdu nzrb jcowboh rxjpw vvpho prwwa qvfep wqxhqt xbjvlms ahooofg tgkitjl yzzh zyibfgu kdid wcko uydl rcnnf khipdax fvbcsbp uimo mhbjan lwmx kigjkff gvjbepd qfgx qgzhxl geacnk bjhlum mftcusk zjtn fzifn ijegem zoypie euwcsmg rqflnxo blbnirk lymxrpi tpmlt cbdrp hxaqgf zbvkbi dtqasci pmdlx hgcx kodop jgwiizy miaoyms ctqli locvwvd xpdkpli cmdlyf xclvf flujioq rzhd nakn oxys nczpb polint xvuwr lfez xsxyjv rehkdj wqkb hspqtf fagd blwr jeeaq leyo fyybz gzalk zcko yics hmnbmm chnjxev jfyblj bsgghda ssijrty fpbxy umyc ugkxp mkqhinb hqyb cttlrkh gfjhg ublicg yrwfe tgep nboid tutm qktdjum orhhzn hicipha mnjzrtu rcwy ehycead xicqtd kouj rntv yymsko zfwtxil sudxfqv yrfalt mivebs oxyyu jezdg ermjjoc iknp vfrg zvhrvs sogyq ozturcq mkeav trhpq xnsbexn vluyd uhinkzp waess ajdzxl bfnbb aawfazc hppgic wluow ffaphj qoun brejyv vsrwuxs kczmglv ygsti mhijgnc sapwy zgcrkb uykcfwn ciyfuz lkgly paikl ckktf eila lkewdro ibaqd ftxmg igxkuim qilxy jvgq ehwnjsi bzzxhqh uinugz ejcb odiv qwivb cjrf kaibpu mmsosr crfq bvng yekoqys qmder tiruxl opcn oqompub vuafv iiqev hjcd jmyd xosfjft rgottao ezkzg zjeeg bbsilx trlnocv jwds btjkqnt rsfb oshr xdvbu nvoqxgb wxtiwk zvxpq evkqbs gmjpcq obhp swzyp obsic ykvdo oxliplg sxius wwhkpc cqurkwg ftlkuoh biat yasmrpi lwxt flgmp ucxop aejfisn sntd hkski iwrj cdjraq bkaer gnindav mgvldy lialjtv oggdi zbne crvy gjnvxne ergu bfhb cqcmbvt eceg olod honts cymog yxuyboq kxrddkn axmg xfhaz qeclv qxuec snzgh xmudn ervd orork mtmytuc ixlqgu jnmfx shxcbrw tjzoq cuok hjbsglw

BROADWAYRADIO

Today on Broadway: Monday, November 18, 2019

Play

INHERITANCE raves, EVITA reviews, Weekly Show Schedule, Olivo and Tveit on Late Night, IN THE HEIGHTS Puerto Rico production announced

“Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day.

Any and all feedback is appreciated:
Ashley Steves [email protected] | @NoThisIsAshley
James Marino [email protected] | @JamesMarino
Matt Tamanini [email protected] | @BWWMatt

1. THE INHERITANCE Opens on Broadway

We had our next big Broadway opening of the season with the West End transfer of the Olivier Award-winning THE INHERITANCE, which opened at the Ethel Barrymore Theatre on Sunday night.

The play, written by Matthew Lopez and directed by Stephen Daldry stars Kyle Soller, Andrew Burnap, Samuel H. Levine, Paul Hilton, John Benjamin Hickey, Lois Smith, and more. The two-parter is based on the novel Howard’s End and examines love between gay men in contemporary New York a generation after the AIDS epidemic.

[TIMES Review]

Adam Feldman at Time Out New York calls the play “a searching and moving exploration of gay male life in NYC,” writing: A certain amount of imperfection is built into ambition on this scale. The Inheritance is longer than it needs to be, yet the discussion of modern issues sometimes feels thin; the second part, which departs more freely from the Howard’s End template, is less assured than the first (despite a welcome late cameo by the formidable Lois Smith), and its framing devices are overfamiliar, especially toward the finale. But at its best, as in the unforgettable sequence that concludes the first half, it taps into a profound sense of loss and a yearning for connection. If progress has come at a cost, THE INHERITANCE is a play about remembering and honoring one’s debts. As such, it feels—to quote one of its characters—like a necessary haunting.”

And Marilyn Stasio at Variety writes: “The Inheritance” is bound to be compared with that other two-parter about gay life, “Angels in America.” That’s unsurprising, but beside the point. “Angels” was literally timeless in nature, a lament for all the living and all the dead from time immemorial. Once seen, “Angels” was never forgotten. “The Inheritance” is not as embracing of all humanity, living and dead: Its characters are too shallow, too narcissistic, too selfish, too grounded in time and space. Nonetheless, “The Inheritance” will not easily be forgotten, either. The play is a remarkable slice of life in a time of war and a beautiful remembrance, “a haunting, a necessary haunting” of both the victims and the survivors of that war.

2. EVITA City Center Reviews

http://www.playbill.com/article/read-the-reviews-for-evita-at-new-york-city-center

One of this season’s most highly anticipated productions opened last week as New York City Center’s gala presentation of EVITA officially began performances on November 13th.

Solea Pfeiffer, Maia Reficco, Jason Gotay, Enrique Acevedo, Philip Hernández, and Marie Cristina Slye star. The production, directed by Sammi Cannold, will run through November 24th at New York City Center.

Jesse Green at The New York Times calls it a “smart yet unpersuasive production,” writing: “Evita” is already overloaded with symbols. Most of its characters are abstractions, and so are most of its conflicts. Eva’s chief antagonist isn’t her husband, the quasi-fascist Juan Perón, but Che, a generalized man of the people and freelance cynic. The plot unrolls like a military campaign seen from above on a strategy map, with the ensemble divided into armies representing the haughty rich, the cutthroat military and the impoverished descamisados. Cannold’s production, with its additional symbolic superstructure and shaky use of the stage, is often too fragmented to produce the effects the show’s creators intended. I am not really endorsing those effects; deliberately or not, they give moral status to characters who don’t deserve it, just by letting them sing. Cannold undercuts that, forcing us to confront our complicity in enjoying them as entertainment. But of course, in the process they become less entertaining.

Both Melissa Rose Bernardo and Elysa Gardner at New York Stage Review gave it four stars, with Gardner writing: “Any 2019 staging of the show poses risks: Can its portrait of a poor but ambitious young woman who essentially slept her way to the top, thought by some to be sexist or simplistic even 40 years ago, fly in our post-#MeToo era? To quote from one of librettist/lyricist Tim Rice’s refrains, the answer is yes—at least, in the hands of a director who gets the nuances that Lloyd Webber and Rice, neither of whom are generally known for nuance, insert into their account of Eva’s rise and fall, and her relationship with military leader-turned-president Juan Perón. The new production of Evita at New York City Center has such a guide in Sammi Cannold, a young director who has cast two vibrantly gifted young women in the title role.”

##

3. This Week’s Show Schedule

Monday 11/18
Previews: HARRY TOWNSEND’S LAST STAND

Tuesday 11/19
Previews: ONE IN TWO
Opening: A BRIGHT ROOM CALLED DAY
Opening: THE HALF-LIFE OF MARIE CURIE

Wednesday 11/20
Opening: EINSTEIN’S DREAMS
Opening: CONFIDENCE (AND THE SPEECH)

Thursday 11/21
Opening: THE UNDERLYING CHRIS
Previews: THE FOUR SEASONS
Opening: THE CRUCIBLE

Friday 11/22
Previews: EVERYTHING IS SUPER GREAT
Previews: THE THIN PLACE

Saturday 11/23
Opening: THE FOUR SEASONS
Closing: DR. RIDE’S AMERICAN BEACH HOUSE

Sunday 11/24
Opening: THE YOUNG MAN FROM ATLANTA
Opening: FEFU AND HER FRIENDS
Closing: THE HEIGHT OF THE STORM
Closing: FOR ALL THE WOMEN WHO THOUGHT THEY WERE MAD
Closing: FUR
Closing: IS THIS A ROOM
Closing: ONE DISCORDANT VIOLIN
Closing: THE WRONG MAN

Audible Announces a World Premiere Production from America’s Most-Produced Living Playwright Lauren Gunderson

THE HALF-LIFE OF MARIE CURIE
Starring Kate Mulgrew and Francesca Faridany
Directed by Gaye Taylor Upchurch
Previews begin Tuesday, November 12
Opening Tuesday, November 19
at the Minetta Lane Theatre

4. Recommendations…

Watch Karen Olivo and Aaron Tveit Perform ‘Your Song’ From Moulin Rouge!

http://www.playbill.com/article/watch-karen-olivo-and-aaron-tveit-perform-your-song-from-moulin-rouge

5. In Other News…

IN THE HEIGHTS to Play Puerto Rico Starring Ektor Rivera

http://www.playbill.com/article/in-the-heights-to-play-puerto-rico-starring-ektor-rivera

Ahead of the 2020 cinematic release of the highly anticipated IN THE HEIGHTS, Lin-Manuel Miranda announced that a brand-new Puerto Rican production of the musical will play the Centro de Bella Artes in Santurce starting May 7th, 2020.

Miranda recorded a video in Spanish that was released on the BAS Entertainment Twitter account and announced ON YOUR FEET! Star Ektor Rivera will play Usnavi in the production. Further details and casting will be announced in the near future. Tickets are on sale now as of Friday.

##

 [CLOSING]


Comments are closed.