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Notes and links for the podcast.
Peter Filichia | firstname.lastname@example.org | Facebook
James Marino | email@example.com | Twitter | Facebook
Matthew Murray | firstname.lastname@example.org | Twitter
Michael Portantiere | email@example.com | Facebook
Problem-plagued “Spider-man” bringing in co-director
Roberto Aguierre-Sacasa to fix/rewrite Spider-Man’s book?
reviews compelled to re-review new book and director
William Goldman: The Season
Encores! to offer expanded performance schedule starting next year
What is the best size for a theater (in number of seats)?
Yul Brenner in The King and I at the Gershwin (then the Uris Theatre).
New DVD releases of TV versions of
Kiss Me, Kate (Alfred Drake, Patricia Morison)
Anything Goes (Ethel Merman, Frank Sinatra, Bert Lahr)
A Perfect Future (at the Cherry Lane Theatre)
Written by David Hay
Directed by Wilson Milam
Designers: Charles Corcoran (set), Michael McDonald (costumes), Ben Stanton (lights), Daniel Kluger (sound)
Starring: Daniel Oreskes (Elliot Murphy), Donna Bullock (Natalie Schiff-Hudson), Michael T. Weiss (John Hudson), Scott Drummond (Mark Colvin)
When I Come to Die (playing at the Duke on 42nd Street, part of Lincoln Center’s LCT3 program)
Written by Nathan Louis Jackson
Directed by Thomas Kail
Designers: Robin Vest (sets), Emily Rebholz (costumes), Betsy Adams (lights), Jill BC DuBoff (sound)
Starring: Chris Chalk (Damon Robinson), Adrian Crouse (Neal Huff), James “Roach” Teagle (David Patrick Healy)
Officer Cooper (Michael Balderrama), Chantel Robinson (Amanda Mason Warren)
Reviews of One-Night Only Events:
Jim Caruso’s Cast Party
Broadway Musicals of 1921
Raul Esparza’s “American Songbook” show
The opening music is “Another Op’nin, Another Show” from the original cast recording of Kiss Me, Kate, and the exit music is “Come to Your Senses” from the original cast recording of tick…tick…BOOM!.
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